An unlikely trio of two guitars and drums, Dangermuffin from Folly Beach, SC is unquestionably one of the most unique sounding three-pieces touring today. Their ability to blend and bend musical genres together make them a bit of a chameleon, but make no doubt about it, they own whatever they do, whether it be playing a bluegrass number or pumping out heavy rock riffs with smashing drum explosions.On Tuesday night, a small but enthused crowd nestled into Club Cafe on the South Side of Pittsburgh, PA for a most memorable performance. Dan Lotti, the band’s chief vocalist and “bass” player (he plays bass on an acoustic guitar) warmly greeted the crowd with a “Happy Tuesday,” and after exchanging some pleasantries with the front row, Dangermuffin was off and running.The band’s southern rock sensibilites, spearheaded by guitar player Mike Sivilli, mixed with the complex textures of drummer Steven Sandifer make you feel as if you’re at the beach and digging your toes into the sand; as if you’re floating down the lazy river at your favorite waterpark. The music has a flow and sway to it that one can’t help but tap their toe or nod their head to the rhythm. Dangermuffin mixed in several new compositions, which will be featured on their forthcoming album, as well as a number of staples like “Sea Funk,” “Cradle Of The Beach,” “Homestead,” “Moonscapes,” and “Slumber.” Along with their great original compositions, what has always impressed me about Dangermuffin is their exceptional execution of cover songs. The band tackled David Essex‘s “Rock On,” and yes, it was as cool and smooth as when Essex sung it. Lotti was born to sing “Hey shout, summertime blues, jump up and down in my blue suede shoes.”It didn’t stop there, as the band would delight the crowd to (electric) covers of Pink Floyd‘s “Breathe” and the Grateful Dead‘s “Scarlet Begonias.” What I appreciate most about ‘Muffin’s repetoire of covers are their earnesty. They don’t try to be Floyd or the Dead or whomever else they decide to cover. They take those great compositions and make it work for them. They play those songs as if they were their own. It is extremely refreshing to hear those songs being played in a way that doesn’t try to 100% emulate those great bands.After appropriately wrapping up their electric set with “Lawman” with lyrics of “Don’t go and break the rules if you’re a lawman, Be sure to stop at each stop sign ‘Cause when you break the laws that you push, man, How can you go on, keep the time for us,” I could not help but think of the events going on in Ferguson, MO. It was a nice gesture by the band to show their support.The night wasn’t quite over yet, because the band strapped on their acoustic guitars, with Sandifer grabbing his upright bass, and came down in front of the stage to perform unplugged, literally. This essentially turned the last 10 minutes of the show into a sing-along, with band and crowd trading lyrics back and forth. It was quite special.The band played a sweet bluegrass diddy entitled “The Rising Souls,” a song that will be featured on their new album, and then the highlight of my night, a sensational cover of Old & In The Way‘s “Midnight Moonlight” (audio below). Just when I thought it couldn’t get any better, and after pleas from the crowd to play one more song, Dangermuffin indulged the pack of concertgoers to the Dead’s “Friend Of The Devil.” For those that were in attendance, the night certainly ended as a Happy Tuesday.